Note: This article was originally written for the D’Addario Orchestral ‘Behind The Bridge’ blog …..
When my performance schedule and new board member responsibilities started to ramp up, I found myself waking up in the middle of the night with my mind racing and that sinking feeling in the pit of my stomach that I’d forgotten to do something important. It was only a matter of time before my restless nights began to make me feel rather unhealthy. A close friend and fellow musician started sending me meditation music links that I was supposed to play as I went to bed in order to help me relax into a peaceful sleep. I decided to do a YouTube search for similar songs and came across a whole genre of mind healing music that’s based on the natural frequencies of the universe.
Of course, the scientist in me had to go on a fact-finding mission to investigate the claims that I was seeing. There were quite a few references to the Solfeggio frequency of 528Hz, which is supposed to be a miracle tone and the frequency of love. I remember one day when I was particularly stressed out more than usual, I had an unexpected reaction to this music. I started smiling against my will, then had uncontrollable bursts of laughter, and then all of a sudden became very calm. That’s what convinced me that there was really some magic behind this healing music. When I looked at my music frequency chart that I use for my music production, I noticed that the 528Hz is right where the cello’s core fundamental tones transition to the harmonic overtones. That’s probably the reason why it’s so mentally therapeutic for me to play.
I found this website which discusses the Solfeggio frequencies in great detail: http://powerthoughtsmeditationclub.com/what-is-the-solfeggio-frequencies/. Apparently, this scale has 9 distinct healing frequencies that have specific effects on the body.
- 174Hz is a natural anesthetic and is supposed to mask pain.
- 285Hz is supposed to help with the healing of wounds since it’s affect is to aid in returning cells to their original form.
- 396Hz cleanses the feeling of guilt and sobers the mind so that it can return to reality.
- 417Hz can be used to heal the mind from traumatic experiences and to open creative potential.
- 528Hz can be used to return human DNA to a perfect state and clears a mental path for deep spiritual enlightenment.
- 639Hz enhances communication, tolerance, understanding and love.
- 741Hz is supposed to trigger the cleansing of toxins from our cells and to assist in healing infections.
- 852Hz helps to clear mental blocks and stagnation.
- 963Hz is supposed to awaken all bodily systems to their original and perfect state.
All of these frequencies can be attributed to a variety of instruments as indicated in the chart below. I’m not a medical profession and have no diagnostic way of confirming the real effects of the Solfeggio frequencies, but I think that any music lover can tell you about the song that makes them cry or smile or laugh. To paraphrase Plato – music really does give a soul to the universe, wings to the mind, flight to the imagination and life to absolutely everything.
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Over the years, I’ve had the interesting challenge of teaching a handful of students who were on the autism spectrum. I’ve always had a special place in my heart for the special needs community since my youngest sister was born with a serious disability, and I’ve lived through some of her struggles with her first hand. I feel that I have to at least try to work with any student who has the desire to learn an instrument until we reach a point where I’m more of a hindrance than a help.
Every student is different, and this is even more so the case with autistic students because there is no one way to categorize or pigeon hole autism. Even high functioning autistic students can have social interaction and motor control issues that you’ll have to find a way to overcome. I had one student who consistently had a hard time focusing on complex assignments while another could complete assignments very well, but would start humming and zoning out if my lectures went beyond a minute or so. I had yet another student who had the spectacular gift of being able to identify the pitch of any note he heard on any instrument in the exact order that each note was played even though he had severe limitations in his daily life due to his Asperger’s symptoms. There was definitely no one-size-fits-all teaching strategy to handle the array of behavior patterns, but below are a few techniques that helped me reach my students where they were so that they could also reap the benefits of music lessons just like their mainstream counterparts.
- Be prepared to provide a simplified version of assignments or break complex assignments into smaller pieces. I’ve found that having smaller bite-sized deliverables helps keep the momentum during lesson time. For example, we may decide to check off a song line by line instead of making it a requirement to play the whole song perfectly from beginning to end.
- As a music teacher, you just have to accept that most assignments will never be polished, so you may have to pick one or two teaching points to focus on and then move on once you feel that your student has reached an acceptable level of proficiency.
- For some students you may have to get all of their senses involved in order to draw them into the lesson. I have red rhythm sticks that I let students use to beat out their rhythms while counting out loud. In the past, I’ve also had students glide and then hop across the room to demonstrate the difference between playing legato and staccato. Sometimes I would unexpectedly throw in a flashcard exercise if I would see that I was reaching the end of my students’ attention span for a particular assignment.
- If your student has perfect pitch, then you might want to build your lessons around that strength since that is something that comes naturally to the student.
- If a student is consistently having trouble reading notes on the staff, then you might want to try associating a note name with the pitch or even a color and then make the connection to the symbol on the staff to see if that helps. You can have your student color the note on the staff with the same color that you used in your association game. Your student can use this same color chart on his/her assignments for the next few weeks or months to see if this finally helps things click as they learn to read notes on the staff.
- Colorful and quirky visual aids may also be helpful in getting your student to focus on what you’re trying to teach.
- Give your rehearsals a distinct routine, and warn students if you’ll be breaking from it. Many students find this comforting.
- I believe that all students should have the equal opportunity to play in my student recitals if they so desire and have the adequate time to prepare. For my autistic students, I make sure to physically practice recital etiquette starting weeks before a recital. This is sometimes very effective for students who have trouble emotionally connecting to others. This way they know what they’re supposed to do even if they can’t fully understand why they should acknowledge the audience that has so kindly sat through their performance.
I’m in no way an expert when it comes to handling autistic or other special needs music students since the bulk of my training has come on the job. This list of ideas came about after a long time of trial and error, and I’m happy to have met my autistic students because they’ve helped to make me a better teacher for all students. I hope that this article will be helpful to you should you ever find yourself in my shoes one day.
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2017 William Knabe Young Artist Piano Competition
The William Knabe Young Artist Piano Competition is now accepting 2017 applications! The competition is open to ages 7-17, from beginner to advanced.
Over $1,500 in Prizes
Competition Dates: June 3-11, 2017
Application Deadline: May 15, 2017
Competition rounds will be held in both Metropolitan Baltimore and in Metropolitan Washington, DC.
CLICK HERE TO APPLY
Celebrating Knabe’s 180th Anniversary
The William Knabe Piano Institute is expanding, coinciding with the commemoration of the 180th anniversary of Wm. Knabe & Co. pianos!
In order to include more students in this year’s evaluations, the William Knabe Piano Institute is expanding from 2 to 3 days of live preliminary round auditions.
Preliminary rounds will be held in Greater Baltimore and Greater Washington DC.
Video applications are now being accepting for those wanting to advance to the finals, although live auditions are preferred.
Video applicants may choose to be considered for the finals, or may choose an evaluation only.
Start a video application here
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